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Articulation is another matter, and its varied execution is paramount. Although there are some markings of slurs, bowing, and the nature of attack and its duration, players should regard these signs as a starting point, no more. The players might consider studying the inauguration address itself, seeing themselves as either projecting a version of this address using musical means, or placing their personal response to its words and the character of its delivery into their performance manner and approach. In either interpretation Vehemence seeks to set a very contemporary event into the resin of time and music . . .

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